Creating a Text Message Animation in Motion
I’ve often said that Motion is Final Cut Pro X’s secret weapon, and recently I’ve been on a bit...
ART OF THE CUT with the ACE Eddie winning team of Vice Investigates
In this episode, I’m talking with editor Joe Matoske, ACE, executive producer, Beverly Chase and post-production supervisor Arthur Randell....
The 7 Pillars of a Strong Content Marketing Strategy
In this 7-part series, I’m going to break down what I believe are the seven pillars of a strong...
Hindenburg adds “Magic Level”/automix/de-bleed and more
My favorite multitrack audio editor for conventional computers (Hindenburg Journalist Pro) has just added a major new feature called...
Get it right in production, not post
From the golden days of movie-making, to the race from analog to digital, the film industry has always had...
ART OF THE CUT with ACE Eddie winner Dan Crinnion on “Killing Eve”
Dan Crinnion, ACE was recently nominated for a Primetime Emmy Award and won an ACE Eddie for Best edited...
Animating with Behaviors in Motion
This week on MacBreak Studio, I demonstrate the power and flexibility of Motion’s behaviors for creating animations without a...
Surviving LA
I had no idea what would happen when I arrived in LA. I had established a long career as...
How to: Easy remote editing and collaboration with identical hard drives
There is, without a doubt, more interest and movement today about true remote editing than has ever happened before...
Art of the Cut Podcast Eps. 43: (“Killing Eve” Editor Dan Crinnion, ACE)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
