DJI Aerial Camera Comparisons in 4K and 60p
With a modified DJI Phantom 2 and a GoPro HERO4 Black with a 5.4mm lens, a DJI Inspire 1,...
Art of the Cut with Fabienne Bouville, ACE
Fabienne Bouville, ACE, will be among a select group of editors featured in Manhattan Edit Workshop’s Sight, Sound and...
Has Micro Four Thirds Reached Its Pixel Limit?
Let’s be clear. Everybody gets excited when Sony, Nikon or Canon raise the number of pixels, by millions, in...
TLCI and Camera Color: What a Difference a Prism Block Makes
TLCI’s developer says prism cameras and single sensor cameras respond to color in the same way. Thanks to Panasonic,...
The Beauty of Stock Footage
This is an exchange from She a Go, a fan-made hip-hop music video that uses watermarked comp clips of...
Pro Tools First from Avid is very powerful yet free. Who should use it?
Back in February, I published an article called: 48 reasons why GarageBand is kryptonite for video production. At that point,...
Adobe Cloud Needs a Cinematographer’s Plan
With the price of Lightroom 6 up on the $150 mark and the special prices Adobe offers until the...
Bill Holshevnikoff Looks to Change the Mentality Around Lighting for Cinematographers
More than anything else, ProVideo Coalition is a place where experienced professionals can talk through the essentials around what...
Exploring Workflow, Storage & Archive in M&E – Bridging the Gap Between Security and Usability
More than a few experts labeled 2014 as the “year of the breach”, and a list of all the...
NAB 2015 Wrap-up. Winners, Losers, Drones and Escalators
With another NAB in the books it’s time to take a look back on what we saw, where we...
