Protect Your Camera from Water with AGUA
Creators and marketing people are funny. Who else would call WATER (AGUA in Portuguese) to a IPX3-standard storm-resistant camera-carrier?...
New Audio Features in Final Cut Pro 10.2
This week on MacBreak Studio, Steve Martin from Ripple Training reviews a couple of new audio commands that were...
After Effects Hidden Gems: Conform Frame Rate
Have you ever had a mysterious problem in After Effects where frames are repeated, skipped, or even missing? Chances...
The Sensation of White: Why I Set Zebras for 90% White Instead of White Clip
The days of setting exposure with zebras set at white clip are most likely over. Here’s a new technique...
iKlip Grip allows self-standups and much more
IK Multimedia, the same Italian company that creates devices like the iLoud powered speaker, three different digital microphones, and...
Final Cut Pro X: New Titles and Special Effects
Presets are a special kind of magic when it comes to workflows. Pixel Film Studios has a huge collections...
Source Timecode Burn-in comes to FCPX (and it’s in the other NLEs too)
Here we go with another edition of Third Party Developers Add Timecode-Things to Final Cut Pro X. This time...
3D Title Plugins for Final Cut Pro X
On this week’s MacBreak Studio, we do a little self-promotion as we take a tour of Ripple Training’s four...
After Effects Hidden Gems: Cropping in the Output Module
One of the most fun and challenging jobs you can work on is a multi-screen projection. The common way...
Review: The Green Screen Handbook, 2nd Edition
Jeff Foster’s “The Green Screen Handbook, 2nd Edition” is subtitled, “Real-World Production Techniques”, and it’s described as “a comprehensive how-to manual...
