Camera rental houses robbed. Be on the lookout for stolen gear.
Over the last couple of weeks there seems to have been a string of robberies from camera rental houses....
After Effects Hidden Gems: Grow Bounds
Some effects – usually those in the Distortion category – will try to create new pixels in After Effects...
LUT Tricks for the Sony FS7/F5/F55
Sony’s Cine-EI mode is both a blessing and a curse. Here’s how to work to its strengths and around...
Secondary Color Correction Video Tutorial
Secondary color correction is the process of color correcting a selected portion of a video image instead of color...
Imagine Communications Steps Away from the Constraints of Proprietary Hardware
At NAB, Imagine Communications rolled out news and announcements that covered a wide range of products and technologies. From...
Meet the Hindenburg family of audio production/editing tools
This is my first article about the Hindenburg family of audio production and editing tools… and even publishing tools....
Shot Matching in DaVinci Resolve
On this week’s Under 5, Alexis van Hurkman from Ripple Training shows us how to match shots in Davinci...
3D Title Animation Tips for Final Cut Pro X
This week on MacBreak Studio, I show Steve Martin from Ripple Training some tips for working with 3D text...
Fare-thee-well Red Giant BulletProof
I was a little bit sad when I saw the news that Red Giant’s BulletProof had been quietly discontinued....
After Effects Hidden Gems: Color Working Space
Not all pixels are created equal. Different devices often use different internal representations for the same color we see....
