After Effects Hidden Gems Weekly: Revealing Curved Shapes
A favorite motion graphics effect is wiping on an intricate, curved object (such as handwritten text) as if it...
Talking 4K, the FS7 development process, future camera features and more with Sony Professional
With articles like The Best Sony for Video and LUT Tricks for the Sony FS7/F5/F55, it’s no secret that...
Art of the Cut with Sidney Wolinsky
On this installment of Art of the Cut, Sidney Wolinsky talks about cutting some of the top TV shows...
Media Composer 101 – ADVANCED – What is Transcoding? Part 2: The Basics
In this lesson, Kevin P McAuliffe continues his in-depth look at Transcoding in Avid Media Composer. Now that we’ve...
Digital Production Buzz Interview with Art Adams
Not long ago I was interviewed for the online show Digital Production Buzz. The show is now live, and...
Helping filmmakers realize the full potential of VR storytelling
Figuring out how content creators can and should approach storytelling in a virtual environment is something I’ve explored in...
LUTCalc: Trials, errors, and a full-range LC709A LUT
After much experimentation, and a bit of failed hacking, I’ve come up with a good full-range Cine-EI LUT for...
Veydra cine primes to gain E- and C-mount options; 12mm to ship in September
It’s been a busy week for affordable cine primes, with the Samyang XEENs announced Monday and Veydra’s announcement today...
The ABCs of Sound
Bumper. Chopper. Sweeper. No, they’re not kickboxing moves, they’re sound effects. Just like film editors have terms like ‘dissolve’...
Creating HUDs in Motion
Motion’s vast Libary of content makes it simple for even beginning Motion users to create animated motion graphics. Today...
