Adobe Premiere & Audition to add loudness standards
At IBC in Amsterdam, Adobe has announced that they will soon be adding support for the new perceived audio...
NewTek announces NDI, an open protocol for IP production workflow
At IBC in Amsterdam, NewTek announced its Network Device Interface (NDI), a new open protocol for live production IP...
FCP X 10.2.2/Pro XAVC Long GOP compatibility bulletin 2015.2
Users of Sony’s PXW-X70 camcorder and Final Cut Pro X can now rejoice, since FCP X 10.2.2 finally brings...
The aftermath of the film vs video debate – A PVC Roundtable Discussion
You don’t often see articles like these anymore, where a famous filmmaker or cinematographer explains their decision to move...
What makes Sony Vegas Pro a fit for your workflow or post-production environment?
We’ve talked with the people at Sony creative Software about their offerings before, and it’s always great to find...
Art of the Cut with Eddie Hamilton of Mission: Impossible – Rogue Nation
Eddie Hamilton’s list of credits is envious, starting with feature film editing credits in 1998 and kicking into high...
Optimizing media in DaVinci Resolve 12
In this episode Alexis Van Hurkman walk through how to optimize your media for better playback performance in DaVinci...
Tracking color corrections in Final Cut Pro X
This week on MacBreak Studio, Sam Mestman (FCPWorks, LumaForge, WeMakeMovies) returns and shows us a very powerful tip for...
Premiere Quicktip: Zoom while dragging
While direct manipulation of UI elements may not be favored by NLE power users, sometimes it is faster. One...
Does Media 100 (still) make sense for your post-production workflow?
Media 100 is a name that prompts numerous memories for experienced professionals. Back when it debuted, the software changed...
