Get Started Fast with Media Composer for High-Res Workflows—Part 2
Many editors don’t work in larger then HD projects, but what happens when you’re ready to make the leap?...
Get Started Fast with Media Composer for High-Res Workflows—Part 1
Many editors don’t work in larger then HD projects, but what happens when you’re ready to make the leap?...
The other DAM TV jingles like Mr. Cutting A Promo For A Lame Show Guy
As the year winds down I thought it would be fun to revisit some comedy bits that all editors...
FiLMiC Pro reaches Android after years on iOS
For those unfamiliar, FiLMiC Pro is a renowned under US$10 app for iOS (iPhone, iPad and iPod Touch) and...
Media Composer 101 – Lesson 17 – Bin Layouts/Displays
In this lesson, Kevin P McAuliffe wraps up his looks at Bins in Avid Media Composer by talking about...
Why we should only use worldcams
In a recent article, I covered the differences between the words camera, camcorder, streamcorder and worldcam. Fortunately, there are...
Dual Pixel AF: is it a game changer for autofocus?
Real cinematographers focus by hand… or hire a focus puller who knows exactly how to focus lenses. But what...
JVC clarifies key details in the GY-HM170 camera/camcorder
I recently published a detailed article comparing the JVC GY-HM200 with the Sony PXW-X70. Since then, I updated that...
A digest of last week’s photo and video news – Week 53
A digest of last week’s news is a selection of some of the news from week 52 related to...
ART OF THE CUT with “Spotlight” editor Tom McArdle
Tom McArdle has 35 credits as an editor, including five films with director Tom McCarthy, the latest of which...
