Video Snapshot for lazy editors
When, recently, Scott Simmons tested the Fastcut software I had written about before – read his article, Automatic video...
Live TV versus prerecorded: how to take best advantage of each
Producing a TV show strictly for a live TV or Internet audience has both advantages and disadvantages. The same...
ART OF THE CUT with the editors of “Star Wars – The Force Awakens”
Maryann Brandon and Mary Jo Markey have a long and fruitful collaboration with the prolific J.J. Abrams. The team’s...
4K, HD, & Ken Burns in Final Cut Pro X
This week on MacBreak Studio, I show Steve Martin from Ripple Training how you can create camera zooms and...
Automatic video editing with MAGIX Fastcut
I was intrigued by a recent post from PVC’s Jose Antunes about Fastcut, a PC video editor that claims...
A digest of last week’s photo and video news – Week 03
A digest of last week’s news is a selection of some of the news from week 02 from 2016...
Audio Hold Frames in Final Cut Pro X
This week on MacBreak Studio, Steve Martin from Ripple Training shows us how to create audio “hold frames” to...
Think Tank Photo wins NPPA’s J. Winton Lemen Award
The J. Winton Lemon Fellowship Award is given to those rendering continuing outstanding service in the interests of press...
Ultralight backpacks from MindShift Gear
MindShift Gear started 2016 offering a series of lighter backpacks to photographers. After the FirstLight series of backpacks reaching...
KEEP CALM: The FAA and sUAVs/Drone Rules (Final UPDATE)
With the publishing of Jack Nicas and Andy Pasztor’s speculative and interpretive article in the Wall Street Journal in the fall of...
