Black & white movies are good (really)
Younger friends and family members routinely say they won’t watch black & white movies. Contrary to what they may...
Get Started Fast with Media Composer for High-Res Workflows—Part 3
Many editors don’t work in larger then HD projects, but what happens when you’re ready to make the leap?...
Get Started Fast with Media Composer for High-Res Workflows—Part 2
Many editors don’t work in larger then HD projects, but what happens when you’re ready to make the leap?...
Get Started Fast with Media Composer for High-Res Workflows—Part 1
Many editors don’t work in larger then HD projects, but what happens when you’re ready to make the leap?...
The other DAM TV jingles like Mr. Cutting A Promo For A Lame Show Guy
As the year winds down I thought it would be fun to revisit some comedy bits that all editors...
FiLMiC Pro reaches Android after years on iOS
For those unfamiliar, FiLMiC Pro is a renowned under US$10 app for iOS (iPhone, iPad and iPod Touch) and...
Media Composer 101 – Lesson 17 – Bin Layouts/Displays
In this lesson, Kevin P McAuliffe wraps up his looks at Bins in Avid Media Composer by talking about...
Why we should only use worldcams
In a recent article, I covered the differences between the words camera, camcorder, streamcorder and worldcam. Fortunately, there are...
Dual Pixel AF: is it a game changer for autofocus?
Real cinematographers focus by hand… or hire a focus puller who knows exactly how to focus lenses. But what...
JVC clarifies key details in the GY-HM170 camera/camcorder
I recently published a detailed article comparing the JVC GY-HM200 with the Sony PXW-X70. Since then, I updated that...
