All audio production & distribution should go 48 kHz. Learn why.
Hello to our friends at the software development teams at ACX, Apple (GarageBand team), Audible, Bossjock, Spreaker and Wooji...
The Secret Art of White Balancing
In days of old, white balancing was easy. Now, like everything else, it’s gotten a lot more complex. Here’s...
Easy Split-Screens in Final Cut Pro X
This week on MacBreak Studio, I show Steve Martin from Ripple Training some options for reframing video clips in...
Review: Red Giant PluralEyes 4
Those of us who have been around the film and video post-production biz for awhile will remember a day...
ART OF THE CUT with Steve Mirkovich, ACE, editor of “RISEN”
Steven Mirkovich, ACE has edited over 40 pictures that include “Big Trouble in Little China” and “Con Air.” Steven...
A digest of last week’s photo and video news – Week 07
A digest of last week’s news is a selection of some of the news from week 06 from 2016...
ART OF THE CUT on cutting “DEADPOOL” with Premiere Pro CC
Vashi Nedomansky trained a team of Avid editors and assistants for their switch to Premiere Pro for “Deadpool” and...
The making of a cross-platform audio/video multimedia ebook
In August of 2015, I published my first review of Amazon’s free Kindle Textbook Creator (KTC) program to create...
Canon lenses dominate Big Game
If DSLRs are dying, they’re having a very slow death, one could say. With the sidelines at the San...
Flash Photography: two reading suggestions
When recently I wrote here about the eBook One Flash! Great Photography with Just One Light, from Tilo Gockel,...
