Review: Senal ENG-18RL dynamic interview microphone
Omnidirectional dynamic microphones with balanced XLR connections remain the first choice for most ENG (electronic news gathering) organizations to...
iOS 9.3’s Night Shift: warming screens everywhere, messing up your color work
At yesterday’s Apple event Apple released an update to iOS taking it to version 9.3. With that version comes Night...
Átomos adds 10-bit HDR & high brightness monitoring to recorders from US$1295
Up until now, several manufacturers have offered portable 10-bit audio/video recorders for HD and 4K, of which I have...
NewTek’s NDI is now the lingua franca among broadcast brands
As announced last year, NewTek today launched Network Device Interface (NDI), an enabling technology for live production IP workflows...
“Whiskey Tango Foxtrot” co-director Glenn Ficarra on editing
Glenn Ficarra and John Requa have co-written numerous feature films, including “Bad Santa” “The Bad News Bears,” and “Focus.”...
Free Function Friday applyPluginEffect
Ep. 25 applyPluginEffect Free Function Friday
Sleuthing an Avid Media Composer startup beach-ball
Have you ever had Avid Media Composer hang upon startup? If not then someday you probably will. Depending on...
REVIEW: Paralinx Ace Wireless Video System
Looking for a wireless video system that has good range, a lightweight form, HDMI or SDI support, and won’t...
Why the AMP Project improves our web content distribution
In case you are unfamiliar, the AMP Project (Accelerated Mobile Pages Project) is an open source initiative that came...
ART OF THE CUT with MARGARET SIXEL, editor of “MAD MAX: FURY ROAD”
This year’s Best Editing Oscar went to Margaret Sixel for “Mad Max: Fury Road.” Sixel worked on the project...
