PV3200PT monitor for editors: Surprising responses from BenQ
When I first saw José Antunes mention the BenQ PV3200PT 4K UHD here in ProVideo Coalition (link ahead), I...
SSDs for URSA Mini And 96TB LaCie Tower: NAB 2016
Media and Hard-Drive Storage. It’s a necessary evil in our industry. Where, at times, we drop our hard-earned cash...
The CINE Battery: A way to cut the cord even on long shoots
If you’ve been enduring the short and unpredictable life of DSLR batteries (let’s face it, the form factor of...
First look: T-RackS Saturator X for Mac/Windows from IK Multimedia
With its new T-RackS Saturator X, IK Multimedia is promising “analog saturation magic” for digital recordings. In the Italian...
A Response to The New Yorker’s Article on VR
The New Yorker recently published an article about virtual reality, and I felt the need to publish a response....
NAB 2016 Wrap-up. Winners, Losers, Fun and … Meh.
Another NAB is well in the past and as I was thinking about what I saw at NAB 2016...
Canon EOS 80D for video: 6 details I applaud & 8 I dislike
Canon has been justifiably criticized for the past few years for its lack of innovation in its low and...
ART OF THE CUT – with “Captain America: Civil War” editor
Editor Jeffrey Ford, ACE has been cutting films as an editor since 2000 with “The Yards.” And also cut...
Free Function Friday removeUnusedSolids
Ep. 33 removeUnusedSolids Free Function Friday
Black box technology: Pelican’s plan to protect you and your gear
OK, so you’d rather spend your hard-earned cash on the latest camera, not the box it goes in. But...
