HP ZBook Studio G3: How to output standard framerates over HDMI
Despite deceitful rounding in camera menus from otherwise responsible manufacturers including Canon, JVC, Panasonic and Sony, rates like exact...
Creating an animated gobo in Motion
This week on MacBreak Studio, I show Steve Martin from Ripple Training how to build, position, and animate a...
Atmosphere: Hazers, Fazers, Smoke and Fog 101
What do 80’s rock concerts, weddings and Hollywood films have in common? Many might say crazy clothing, make-up and...
PRODU.com debuts Speed Booster for GH4
I first became intrigued with the Speed Booster concept when I saw Norwegian filmmaker Andyax’s video from April 2015....
Free Function Friday Complete Series
Free Function Friday Complete Series
Nashville Filmmakers Guild Lighting Workshop – July 30
I’m usually all about post-production here on my blog but our local to Nashville filmmakers group The Nashville Filmmakers...
Gamma vs. Log: tonal-scale rendering
In my V-Log L Revisited article, I went on at some length about neutral rendering across the tonal scale...
AE Project Diary: 3) Ausgrid
What makes a project good to work on? I’ve worked on more productions than I can remember but some...
Let’s Edit with Media Composer – ADVANCED – Working with LUT’s
In this lesson, Kevin P McAuliffe talks about working with Look Up Tables (LUT’s) inside of Media Composer. They’re...
ART OF THE CUT with Tom Cross, ACE of “Whiplash,” “JOY,” and “La La Land”
Art of the Cut caught up with Oscar winning editor, Tom Cross, as he was cutting his upcoming feature,...
