Get Started Fast with Media Composer for Adobe Editors — Part 2
This tutorial series is designed for Premiere Editors to get a quick look at the important, fundamental differences in...
The Truth and Hype on 4K, 8K, UHD and HDR
Beyond 4K most viewers will never appreciate the detail on their TV screens, simply because while image resolutions on...
Review: RØDE i-XLR and RØDE Reporter app
i-XLR is an ideal bridge from a single XLR balanced microphone or other mono audio source to an iOS...
ART OF THE CUT with “Nocturnal Animals” editor Joan Sobel
Joan Sobel, ACE began as first assistant on such films as both of Quentin Tarantino’s Kill Bill films. She...
Let’s Edit with Media Composer – ADVANCED – Background Services
In this lesson, Kevin P McAuliffe talks about a great, under-utilized feature in Avid Media Composer, and that is...
Get Started Fast with Media Composer for Adobe Editors — Part 1
This tutorial series is designed for Premiere Editors to get a quick look at the important, fundamental differences in...
Max and Mini Max: shooting in tight spaces
Placing a backlight where no other stand would reach, and then being able to move everything quickly again, were...
Why Final Cut Pro X? A Preditor’s POV
I tell people straight up that FCP X is the best NLE I have ever used: Sean Lander –...
Using the Align To behavior in Motion 5.3
This week on MacBreak Studio, I show Ripple Training’s Steve Martin a new feature in Motion 5.3. The Motion...
ON1 Photo RAW: the family editor
With a price of $119.99 for the program, one aspect of ON1 Photo RAW that is sure to appeal...
