Light the background to light the foreground
Years ago, when I first lit a shot of an actor, head to toe, standing on a green screen cyc,...
ART OF THE CUT with Maryann Brandon, ACE on cutting Passengers
A year ago, Maryann Brandon was nominated for an Oscar for Best Editing for Star Wars: The Force Awakens....
Quick Look: EasyTracker for FCPX
I get these emails from “Sara at CrumplePop”, spruiking all sorts of clever plugins for FCPX. Normally I resist the...
Creating Post-Production Workflow Efficiencies with the Avid NEXIS | PRO
What’s the most inefficient part of your workflow? It’s a big question with answers that can range from the...
ART OF THE CUT with Thelma Schoonmaker on Silence.
Thelma Schoonmaker, ACE is an iconic presence in the world of editing. Arguably, no name is known better in...
REVIEW: Ready Rig GS Gimbal Support
Camera gimbals like the Freefly Movi and DJI Ronin are wonderful tools, but if you pair them with any...
ART OF THE CUT with Manchester by the Sea’s Jennifer Lame
Jennifer Lame started working as an assistant editor on TV shows like 30 Rock and Smash before joining editing...
Thunderbolt 3: Now the revolution begins
2500 megabytes per second drives. Dual 4K displays. External PCIe system expansion. Thunderbolt is no longer just a faster...
Introducing the ProVideo Coalition PVC News app for iOS and Android
As ProVideo Coalition starts a new year we would like to unveil a free after-Christmas present for all of our readers:...
Golf Channel’s Sony PetaSite Storage
With the help of Sony, NBC’s Golf Channel can tee up the archive, drive home the petabytes and nail...
