After Effects: revisiting feature requests from 2008
June 2008 seems like a long time ago now. Adobe had only just released After Effects CS3 and I...
When exact 24 fps beats 23.976… and when it doesn’t
Nine years have passed since I published When 25p beats 24p…. In fact, that was my very first article...
Easy, fast and secure media file transfer–the Bigfoot of post
I have a long list of “It’s 2017, how come we haven’t figured out how to…” questions. Topping that...
Meet the alternative to Adobe: Skylum
Macphun has a vision: to offer photographers a truly worthy Adobe alternative. This was revealed today by its CEO,...
Why FCP X? – 360° POV
VR, AR, XR, MR, 360. Last year, I sat through a discussion on these topics at the Final Cut...
How the Seal Team series uses Dutti Dolly
Three Dutti Dollies are always around during the production of the CBS series Seal Team, used for multiple situations...
What Does the Ultimate Video Editor’s Workstation Look Like?
Few can argue with the notion that the media & entertainment industry has been democratized in an incredible manner....
Art of the Shot: Mindhunter cinematographer Erik Messerschmidt
Shot with a tailor-made RED camera, the RED XENOMORPH, auteur David Fincher chose cinematographer Erik Messerschmidt to helm camera...
REVIEW – BCC 11 for Media Composer
There are some certainties in the industry we work on, and one of them as become the yearly (or...
ART OF THE CUT with “TWIN PEAKS” editor DuWayne Dunham
Duwayne Dunham’s filmography is so extensive and impressive that trying to summarize it in a paragraph just doesn’t do...
