Classic Course: Repeat Edge Pixels
As we mentioned in our last post, we’re going to be publishing on PVC videos from our retired Lynda.com...
5 tips for shooting 360° video
It may seem like creating a 360° video is equivalent to shooting a traditional film, just with a special...
An Interview with Two-time Oscar Winner Neil Corbould
Two-time Oscar winner Neil Corbould got his first insight into the world of special effects after following his uncle...
Review: RØDE VXLR+ phantom power to plugin power converter
Since the dawn of microphones, there have been two greatly different types of signals: balanced and unbalanced. Since the...
An in-depth chat with editor Scott Hill about Lightworks
Lightworks is a powerful NLE that has been around for many years and has edited at lot of major...
Train your eyes to see color, the easy way
Color awareness is a learned skill. All you really need is a car. The human brain is a funny...
Build your dynamic microphone modularly: Pyle PDMIC78 with Shure accessories
Some people call the Pyle PDMIC78 a knockoff of the Shure SM57. That description is true regarding the physical...
Squash & Stretch: a Free and Pro keyframe assistant
Squash & Stretch is a smart keyframe assistant extension for Adobe After Effects from Mamoworld, and comes in a...
Review: Xume adapters, the magic of Manfrotto’s Lens Filter Suite
The concept is interesting: adapters that use magnetic strength to keep your filters in place. That’s what the Xume...
ART OF THE CUT on MURDER ON THE ORIENT EXPRESS
Mick Audsley is the BAFTA-winning editor of such films as Dangerous Liaisons, 12 Monkeys, Harry Potter and the Goblet...
