Classic Course: Tint versus Tritone
Continuing with still-useful movies from our old “Insight Into Effects” course, this one explains why you shouldn’t reach for...
Bigger is better? OK, but why?
Whether it’s Quentin Tarantino shooting “Hateful Eight” in 65mm, the Panavision Millenium DXL, RED’s VV sensors, the Arri Alexa...
In Depth Look – HitFilm Pro 2018
I’m the first one to admit that I’m a fan of HitFilm. For me, it’s like the Little Engine...
ART OF THE CUT with Sidney Wolinsky, ACE on “Shape of Water”
Art of the Cut last spoke to editor Sidney Wolinsky, ACE, in 2015 about his work on House of...
ART OF THE SHOT: Buddy Squires, ASC Talks About Shooting Ken Burn and Lynn Novick’s “The Vietnam War”
He has shot more than 200 films and is a frequent collaborator with Ken Burns. Buddy Squires, ASC is an...
Christmas Gift Ideas for the Editor – 2017 edition
As 2017 winds down and the holiday season ramps up then it must be time for another Christmas...
Philips 32-inch 328P6AUBREB may be my next monitor
Presented as perfect for graphic designers, CAD engineers, photographers, video editors and other professionals, the new monitor from Philips...
Hands on with DJI’s X7 Gimbal and the Inspire 2
Earlier this year I spent a month in and around Utah filming drone coverage on a show for Discovery....
Product Review: Polaroid small portable LED production light panels
I’ve been testing these small portable LED light panels from Polaroid throughout the year in various types of productions...
ART OF THE CUT with Lisa Bromwell, ACE on “House of Cards”
Lisa Bromwell, ACE has been working in feature film and TV editorial for more than 30 years. She moved...
