Introducing The Fujifilm ETERNA 55
Today, Fujifilm has officially unveiled the FUJIFILM GFX ETERNA 55, the company’s first digital camera dedicated entirely to professional...
Leitz Cine enters mirrorless market with HEKTOR prime lenses
Available for E, L, RF and Z mounts for maximum flexibility, the new Leitz HEKTOR lenses are, the company...
iPhone 17 Pro (Max) supports genlock via Blackmagic Camera ProDock
This is an introductory article. I will publish a more detailed one after Blackmagic responds to my five questions....
iPhone 17 Pro camera updates
Several new iPhone models have just been announced, including some solid new features for video professionals. As expected, the...
Canon’s New EOS C50 Brings 7K Open-Gate to the Cinema EOS Line
Canon’s Cinema EOS lineup welcomes a game-changing newcomer: the EOS C50. As the smallest and most portable full-frame cinema...
Tool Tip Tuesday for Adobe Premiere Pro: Intuitive Color – the Saturation X-Ray
Welcome to Tool Tip Tuesday for Adobe Premiere Pro on ProVideo Coalition I taught an Adobe MAX class at...
Adobe acquires Film Impact, brings it Premiere Pro 25.5
IBC is just around the corner and Adobe has made a big announcement for Premiere Pro users: Adobe has...
Sigma AF Cine Line 28-45mm T2 FF: first Sigma Cine lens with AF
With appearance and build quality that are representative of a premium cinema lens, the Sigma AF Cine Line 28-45mm...
RØDE slashes wireless prices
RØDE has just announced significant price reductions across its acclaimed wireless microphone lineup. Designed and engineered at RØDE’s state-of-the-art...
Unlock peak brightness with Nanlite’s projection attachments
Mention the idea that the film industry did not invent interchangeable modifiers, and someone will immediately mention K5600’s stalwart...
