NAB 2019: Laowa 25-100mm T2.9 OOOM Cinema Zoom Lens
Not too long ago Chinese lensmaker Laowa shook up the industry with the Laowa 24mm f/14 2X Macro Probe,...
NAB 2019: Foton Optics M1 25-300mm T2.8 Cine Zoom Lens
It’s big. It’s long. It’s a whole lotta lens. Don’t get cheeky with me. It’s a big lens. At...
NAB 2019: What’s in the CRLS C-Kit Drive from BB&S Lighting?
The CRLS (Cine Reflect Lighting System) was an original idea by Christian Berger 20 years ago in Austria. Christian is...
NAB 2019: A Look at the Pipeline Reflect Series from BB&S Lighting
Not long ago we showcased the new Pipeline Reflect System from BB&S Lighting, utilizing the same 95 TLCI (3200°K,...
NAB 2019: Area 48 Color LED RGBWW from BB&S Lighting
The BB&S Area 48 Color has been designed to set a higher standard for dial-in, full-color as well as...
NAB 2019: The Teradek Bolt 4K Enables Wireless 4K Transmission
Teradek had a number of firsts at NAB 2019, but the most significant is arguably the first wireless 4K...
NAB 2019: Rare Re-Built Angenieux Lenses From Zero Optik
Alex Nelson of Zero Optik seems to always be carrying a rare or newly rebuilt, rehoused, specialty cinema lens...
NAB 2019: Sigma Mirrorless Products Facilitate the Creation of the L-Mount
At NAB 2019, the PVC team stopped by the Sigma booth to explore how Sigma, Leica and Panasonic have...
NAB 2019: A Look at the Panasonic AK UC 4000
We already took a look at the EVA Live from Panasonic, but the Panasonic AK UC 4000 is an...
NAB 2019: Canon Image Stabilization in new 8.5-128mm F/2.5 B4 4K Lens
Finally! If there was one thing, and just one thing, I have wanted in 2/3 B4 zoom lens it...
