The New Canon C300 Mark III Announced
Modular, 16 Stops of dynamic range, 4K Canon Raw Lite, with, and this next feature is a nice big...
Hindenburg adds “Magic Level”/automix/de-bleed and more
My favorite multitrack audio editor for conventional computers (Hindenburg Journalist Pro) has just added a major new feature called...
Get it right in production, not post
From the golden days of movie-making, to the race from analog to digital, the film industry has always had...
Atomos: go on safari at home and win a Shogun 7 HDR monitor-recorder
Atomos wants to see the best wildlife footage you can capture without breaking any government social distancing rules. Get...
ART OF THE CUT with ACE Eddie winner Dan Crinnion on “Killing Eve”
Dan Crinnion, ACE was recently nominated for a Primetime Emmy Award and won an ACE Eddie for Best edited...
Animating with Behaviors in Motion
This week on MacBreak Studio, I demonstrate the power and flexibility of Motion’s behaviors for creating animations without a...
Surviving LA
I had no idea what would happen when I arrived in LA. I had established a long career as...
How to: Easy remote editing and collaboration with identical hard drives
There is, without a doubt, more interest and movement today about true remote editing than has ever happened before...
Art of the Cut Podcast Eps. 43: (“Killing Eve” Editor Dan Crinnion, ACE)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
Rogue FlashBenders: a decade of evolution in light shaping
The new Rogue FlashBenders v3 are an improved version of a product that I first tried 10 year ago,...
