Blackmagic perfects live + ISO-cam workflow in several ways
With its US$595 ATEM Mini Pro video mixer/recorder/streaming encoder, Blackmagic had already begun facilitating ISO-cam workflow to a certain...
Art Of The Cut Podcast Eps. 61 (“Bosch” Editing Team)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
ART OF THE CUT with the editors of Amazon Studios’ “Bosch”
In this interview, I’m talking with the core editing team of the Amazon TV series Bosch – which just...
After Effects Classic Course: Edit This, Look At That (ETLAT)
After the advanced subject and multiple movies of the previous post, let’s look at something that is short and...
FieldMonitor 8.0 supports Canons
My iOS app FieldMonitor now supports Canon EOS DSLR and mirrorless cameras for Wi-Fi remote monitoring and control. If...
ART OF THE CUT with the editor of Amazon’s “Hanna”
In this Art of the Cut interview, we’re talking with Morten Højbjerg, who is from Denmark and is currently...
Hollywood, How Did You Get Here? Podcast Eps 2 (Cinematographer Polly Morgan ASC, BSC)
On this weeks episode of “Hollywood, How Did You Get Here?” Tim sits down with the incredibly talented cinematographer...
Premiere Pro Hot Topics: Sorting out slow playback for H264 and H265 and transcoding on import
When looking through various forums, blogs and commentary on social media channels, I’m often amazed at how quickly users...
Great Gear from Filmtools: Affordable LED Lights, Converted Senior Carts, 4K Cinema Cameras and More
Scott Simmons has been highlighting useful tools for editors for years now, so we thought we’d do something similar...
Is Cavalry the After Effects killer we didn’t know we were waiting for?
After Effects is the de facto standard for all things motion graphics. While there’s plenty of debate about whether...
