The Mandalorian: a test bed for Virtual Production
Shooting a dawn scene for 11 hours or moving the mountains behind the actors are some of the magic...
Making the Switch from Traditional to Mobile Journalism
This is part 2 of a series on mobile filmmaking, in this case, specifically, mobile journalism (aka MoJo), which...
ART OF THE CUT with ACE EDDIE nominee Nels Bangerter on “Dick Johnson is Dead
Today, our guest is Nels Bangerter, who was just nominated for an ACE Eddie for Best Edited Documentary for...
Mona Lisa: Beyond the Glass, a VR first for the Musée du Louvre
A clear invitation to go beyond the painting, Mona Lisa: Beyond the Glass is a Virtual Reality experience that...
Adobe talks with the editors of David Fincher’s MANK
Netflix’s Mank is leading the 2021 Oscar hunt with 10 nominations, including Best Picture and Best Director, so some...
Joshua Ausley: production under the pandemic
Award-winning cinematographer Joshua Ausley looks back at a year where smaller, agile crews became the rule, and looks at...
Art Of The Cut Podcast Eps. 93 (“Dick Johnson is Dead” Editor Nels Bangerter)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into your...
First look preview: Blackmagic Web Presenter HD streaming encoder + shyness fixer
This is my first-look preview article about Blackmagic’s new “Web Presenter HD”, more appropriately called a standalone web encoder....
ARRI’s Amira Goes Live, Sony Gets Sued, and DPs Talk ‘Real-Time Petapixel Photography’
ARRI is courting broadcasters with the AMIRA Live, a new version of its AMIRA camera aimed at multicamera broadcast...
First look: RØDE Wireless Go II dual microphone/recorder system
This is my first-look article about the brand new RØDE Wireless Go II dual microphone/recorder system. I already received...
