Sony FR7: a new PTZ camera with cinematic features on show at IBC2022
Sony’s Cinema Line gains a new member the ILME-FR7, a PTZ camera that opens new creative and cinematic possibilities...
Pushing the Envelope
Introduction Once upon a time, videos came on tapes and then discs. And now they mostly don’t. Along that...
Inspire Media Conference returns to Memphis next week
I’ve posted before about the Inspire Media Conference in Memphis, Tennesee before, in 2019 when it was in its...
Sony Xperia 5 IV, a compact Xperia for content creation
Cinematic video features on all three lenses with 4K HDR, 120 fps super slow-motion recording to create a cinematic...
Atlas Lens Co. Launches New “Mercury” Line of 1.5x Anamorphic Lenses
Today, Atlas Lens Co. announces the launch of its Mercury Series 1.5x front anamorphic cinema lenses – marking a...
After Effects Roundup for August 2022
Adobe MAX 2022 registration is now open. This year’s event is going to be in person and online! Grab...
Call for participants: ACES at Camerimage
Attending Camerimage in Toruń, Poland this November? Want to talk about your use of ACES (the Academy Color Encoding...
Reviewing the new Blackmagic Pocket Cinema Camera 6K G2
Blackmagic announced the Blackmagic Pocket Cinema Camera 6K G2 recently. This new 2nd Generation of the Pocket Cinema Camera...
The Angry Editor: sometimes the jump cuts are just too much
Welcome to The Angry Editor. For years I’ve teased the idea of The Angry Editor as a regular column here on...
New Samsung Expert RAW brings Custom Presets and Save options
Besides updates that will make low light photography better, as Samsung claims, the Expert RAW version 2.0.00.3 brings two...
