BRAW in FCP and beyond, with BRAW Toolbox v3.0
BRAW is the best format that Blackmagic cameras can use — and it’s a good choice. Though many older...
Free After Effects, or freemium loss leaders
Despite Adobe going full bore on feature releases (especially in After Effects), its subscription model is still very unpopular...
2026 NAB Show: Fujifilm gets multiple NAB awards
The FUJIFILM GFX ETERNA 55 filmmaking camera got a Product of the Year award in the Camera category, while...
NETGEAR at NAB Show 2026 – The MSM4320 is a Network Switch Built for Production
The show floor at NAB Show 2026 was full of hardware designed to survive the rigors of live production,...
Hollyland at NAB 2026 – The Solidcom H1 and Pyro Ultra Enable Your Production to Scale
At NAB 2026, the conversation surrounding live production is focused on one thing: scale. As broadcast environments grow more...
GVM at NAB 2026 – Hands on with the FlatHead Series, the PF100B and the ZipTile system
At NAB 2026, GVM isn’t introducing just one flagship fixture but is instead showcasing a fully built-out lighting ecosystem...
AJA at NAB 2026 – Seamlessly Connecting ST 2110 to Global Streaming with BRIDGE LIVE IP
At NAB 2026, one of the clearest trends across the show floor is the continued push toward SMPTE ST...
Oppo Find X9 Ultra: more camera than smartphone
With four cameras/lenses, able to reach from macro to 460mm, 8K video, 15 stops high dynamic range in both...
Lightcraft at NAB Show 2026 – Spark Brings Real-Time Production Power to the Preproduction Process
With the debut of Spark, Lightcraft isn’t just offering a new piece of software but is instead looking to...
NAB Show 2026 Day 3: Gear, Glass, Gimbals + Best in Show
If Day 1 was about the workflow integrations and Day 2 was about production deep dives, Day 3 at...
