Color Management Part 20: HDR Compositing just looks better!
High Dynamic Range compositing, using 32 bit float mode in After Effects, just looks better. It’s that simple, and...
Shoulderpod L2: a video light for your smartphone videos
With a large frosted diffuser, a continuous light dimmer, and a colour adjustment dial, the Shoulderpod L2 is more...
Adobe MAX: Everything Everywhere Compressing All At Once
It is admittedly weird to start an article, a product of prose, with the realization that I don’t have...
The Alan Smithee Round Table – Adventures at IBC
On the latest episode of the Alan Smithy podcast, the the regular panel discusses various topics related to the...
PlayBox Neo shows line up at NAB New York
PlayBox Neo brings full suite of modular playout solutions to NAB New York, as recent uptick in U.S. sales...
The educational video landscape
As video professionals, most of us engage with video-based educational content in one of two ways. We might learn...
Pixel 8 and Pixel 8 Pro: setting 50 MP as a standard for sensors
With a triple camera using sensors on the 50 MP range – on the Pixel 8 Pro -, Google...
The Final Cut Pro Creative Summit 2023
In just a few weeks, on 6-8 November 2023, the Final Cut Pro Creative Summit returns, including a visit...
REVIEW: Laowa Ranger FF Cine Zooms
Cinema lenses are kind of having a renaissance period right now. It used to be there were only a...
Adobe MAX 2023 sneak peeks
Generative AI is expanding access to powerful new workflows and unleashing imaginative ideas, at least on its own paths...
