RED MX IR Tests: The New Sensor is Similar to the Old Sensor
RED says that their new sensor is more resistant to IR contamination than their original sensor. This test shows...
Step into the Matrix: What I Learned from Examining RED’s Build 30 Color Science
Comparing the RED ONE “M” and the RED ONE “MX” in Adam Wilt’s office. The RED ONE MX is...
Sonicfire Pro 5 with After Effects CS5 Workflow Video Tutorials
I’ve broken these tutorials down into three videos, using some real-world examples of how I work using SmartSound Sonicfire...
Handy, useful pdfs for post production
I found a link via Twitter the other day that is worth sharing. It’s to a number of downloadable...
DSLR Post Webinar available On Demand, extra questions answered
Last week I had the privilege of conducting a webniar with NewMediaWebinarrs.com called DSLR Filmmaking Post Workflows. That webinar...
Join me for a free DSLR Post-production webinar this Tuesday
This coming Tuesday, June 22, I’ll be hosting a free webinar discussing DSLR post-production. The program will kick off...
Lighting Against The Wind: The Making of a Mime Music Video
In the last two years I’ve often described myself as a “reel-building whore.” If I’m asked to do a...
Winning the Gamma Game
This scene ranges from 4 stops over key to 5 under. HyperGamma holds it together. How do you capture...
A tour around Avid Media Composer 5.0’s interface changes
With any big software upgrade there’s going to be changes. Some visible, some not so visible. Personally, I love...
Review: RED101 Training and Reference DVDs
Jay Kelley describes using the RED ONE on a gearhead with an eyepiece leveler. RED101 is a $60 DVD...
