Clay Bolt: filming bees at high-speed
A documentary about bees needs to move fast. That’s why the production team used cameras delivering everything from 24...
Nashville Filmmakers Guild’s Camera Debate
Investing into a camera system is one helluva a commitment. Yes, you can rent, but what should you rent and...
Definitive Guide to Editing With DaVinci Resolve Released
Blackmagic releases the official hands-on guide to editing with DaVinci Resolve 12.5. DaVinci Resolve, arguably one of the most...
NASA: Virtual Reality will take us all to Mars
The idea of having everyone riding to Mars will be the theme for a presentation at the Government Video...
Blackmagic 4K Video Assist Review
I’ll make this quick. The Blackmagic 4K Video Assist is damn useful for URSA Mini shooters if only for...
“Too Much Headroom!” The Joy of “Unconventional” Compositions
I’m a huge fan of the TV series Mr. Robot. Not only does it have one of the deepest and...
Anton/Bauer batteries powered Story of Becoming
Gaffa Media founder and Creative Director Klaus Pedersen decided to create the documentary about Katalin Konya after having heard...
Mount Everest in Cinematic VR
Last May filmmaker and post-production artist Przemek Siemion and the VR Explorers’ team joined renowned Irish adventurers and guides...
Blackmagic URSA Mini 4.0 UI/OS Officially Released
Overnight Blackmagic Design released the new user interface and operation system for the URSA Mini out of Beta. Firmware...
Art of the Shot: Richard Crudo, ASC
Welcome to the inaugural “Art of the Shot” interview series. It seems fitting to me the leadoff hitter for...
