Light and Motion’s Stella Pro LEDs Review
There is nothing more disconcerting than setting up for an interview and not finding a single wall outlet. There...
Preview: the Mini XTC 9250-XL
Just in time for NAB, the 9250-XL is everything that a producer could want in a camera. The revolution...
Cooke Anamorphic Lenses Bring Class and Character to a Clean Digital World
I remember the first time I worked in anamorphic. I’d landed a job as “A” camera operator on a...
Filmmaker Friday With Alain Uy
With hundreds of careers and opportunities, the filmmaking industry can be a unique experience for a filmmaker. Options include...
ART OF THE SHOT: 2nd Unit DP Jacques Haitkin “Kong Skull Island”
If you are a fan of the 1984 hit horror film “A Nightmare On Elm Street” then you have...
Filmmaker Friday with Fiorella Occhipinti
With hundreds of careers and opportunities, the filmmaking industry can be a unique experience for a filmmaker. Options include...
ART OF THE SHOT: “Bad Santa 2” DP Theo Van de Sande
One of Theo Van de Sande most recent films was the second edition of the Bill Bob Thorton film...
Shooting 2x Anamorphic On The Blackmagic URSA Mini 4.6K
One of the more interesting features found on the URSA Mini 4.6K and URSA Mini Pro, for me at...
What does After Effects even do?
Ridiculous question, right? We all know the After Effects basics. I mean, depending on your point of view, of course....
AN INSIDER’S PERSPECTIVE ON THE CREATIVE WORLD OF FILMMAKING WITH PETE GILL
With hundreds of careers and opportunities, the Filmmaking industry can be a unique experience for a Filmmaker. Options include pitching...
