Is Editing Killing Us?
Sitting is literally killing us. We all work ridiculous hours in our caves. We all need more sunlight. We...
Rating and Filtering in Final Cut Pro X
Guest Bill Davis takes us back to the basics this week. One of the foundational building blocks for working...
Cineform in Creative Cloud: render quality settings + more
GoPro Cineform, aka the SMPTE ST 2073 VC-5 video compression standard, is a cross platform codec that in Creative...
Adobe Anywhere for video 2014.1
Adobe Anywhere for video is an enterprise-only solution that serves collaboration and remote workflows with version tracking and project...
Visual Effects Workflow with Final Cut Pro X
How does Final Cut Pro X fit into the visual effects workflow of a feature film? Quite comfortably, as...
‘Gone Girl’ workflows with Premiere & After Effects
You can view Adobe’s panel discussion with the editorial and post-production team behind the movie Gone Girl from director David...
Kicking the Tires on the Adobe Premiere Pro CC 2014.1 Update
It was announced at IBC and shipped at Adobe MAX (I wonder if this will become the norm?) and...
Let’s Edit with Media Composer – What’s New in Version 8.2
Media Composer 101 has been rebranded to Let’s Edit with Media Composer! Enjoy all the new tutorials at the...
iPad Air 2 is semi-matte!/My MacBook Air is now matte too!
Frequent ProVideo Coalition readers know that I strongly prefer matte screens, whether its for media production or general use....
Review: ThunderBay IV 4-bay 12TB Thunderbolt system
Back in June, I published my first look article on the ThunderBay IV 4-bay 12TB Thunderbolt system with the...
