In Depth – Soundly 2 for Windows and OS X
Depending on the type of audio work you do, sound effects play a huge roll in the process. If...
First Look – Rampant Style Kits
We’re all about value for our dollar(s) these days. Whether it’s in the the plug-ins we buy, the storage...
Let’s Edit with MC – Keying Part 3 – BCC Primatte Studio Basics
In this lesson, Kevin P McAuliffe talks about taking your Chroma Keying workflows to the next level, by using...
Let’s Edit with Media Composer – Chroma Keying Part 2 – SpectraMatte
In this lesson, Kevin P McAuliffe continues the discussion on Chroma Keying by talking about the SpectraMatte effect.
Let’s Edit with Media Composer – FrameFlex and Larger than HD Image Sequences
In this lesson, Kevin P McAuliffe answers a viewer question about working creating Pan & Zooms with image sequences...
Combating Computer Vision Syndrome
More than anything, editors and motion graphic designers have one tool that more important than anything, and that is...
In Depth – Ignite Pro from HitFilm
I wanted to follow up my review of HitFilm Pro 2017 with a look at the two products that...
Let’s Edit with Media Composer – Chroma keying Part 1 – Garbage Mattes
In this lesson, Kevin P McAuliffe beings a multi part lesson on Chromakeying inside of Media Composer. Lesson One...
In Depth Look – HitFilm Pro 2018
I’m the first one to admit that I’m a fan of HitFilm. For me, it’s like the Little Engine...
Opening titles: commercials that sell a series
The art of the opening title sequence is flourishing like never before. The best ones contain clues, “Easter eggs,”...
