The Sound of “Gravity”
Here's an exceptional behind-the-scenes featurette that talks about the sound and foley work in Gravity. One interesting note…the Foley...
Free webinars/hangouts after upcoming book launch
The official launch of my new books, The Castilian Conspiracy and its “fraternal twin”, La conspiración del castellano will...
Audio standards and Adobe Loudness Radar
Recently here on PVC, Woody Woodhall discussed The CALM ACT (Commercial Advertisement Loudness Mitigation), asking “Why Is The US...
A Brief Introduction
Iʼm thrilled with this opportunity to create a discussion with the Pro Video Coalition members about my passion –...
Animating to Sound with After Effects
Although video/film types sometimes say that “sound is half the experience“, sound and music are often an afterthought in...
Make Dual Mono work between FiLMiC Pro and FCP X 10.0.8 & 10.0.9
As I have covered in several recent articles and videos, it is now possible to record “stereo” 48 kHz...
Scruffy.TV transforms workflow with Adobe Creative Cloud
Ambitiously aiming to lead the media revolution, Scruffy.TV creates custom content and is building a full, online network that...
ENG mic comparison: Audio Technica BP4002 versus Electro-Voice RE50N/D-B
In this short video, we compare the sound quality of the popular Electro-Voice RE50N/D-B and the Audio Technica BP4002...
FiLMiC Pro 3.3 adds external audio monitoring + remote
I am delighted to see that FiLMiC Pro’s palindromic upgrade to version 3.3 finally includes external live audio monitoring...
Secret Clip Selections in Final Cut Pro X
This week on MacBreak Studio, Steve Martin from Ripple Training and I share a couple of tips for selecting...
