Picking a tablet to control the Behringer/Midas X AIR wireless mixer/recorder
I have covered the Behringer/Midas X AIR wireless mixers/recorders with built-in automix capabilities superficially in two prior articles (links...
Review: iKlip A/V mount/grip/pre-preamp for smartphones & small cameras
After my recent “first look”, here is the review of IK Multimedia’s iKlip A/V preamp/mount/grip for smartphones & small...
Auphonic audio recording app for Android & iOS: strong mixed emotions
So far, I have reviewed at least two audio recording apps for iOS (RØDE Rec and ShurePlus MOTIV)… and...
Multitrack audio for best control later, versus live mix
In field production or in the studio, ideally, we record every audio source on its own track for absolute...
First look: iKlip A/V preamp/mount/grip for smartphones & small cameras
I have covered mounts and grips before (iOgrapher and The Padcaster). I have reviewed many audio preamps to connect...
How to record great location sound without a boom operator
One of the worst mistakes you can make when recording location sound is to rely on a boom shotgun...
Selective Audio Filtering in Final Cut Pro X
This week on MacBreak Studio, Steve Martin from Ripple Training shows us how he prefers to apply audio filters...
Getting Your Foot in the Employment Door
I recently had a long time employee, venture forth into new and exciting opportunities for herself. I began the...
Review: Senal ENG-18RL dynamic interview microphone
Omnidirectional dynamic microphones with balanced XLR connections remain the first choice for most ENG (electronic news gathering) organizations to...
First Look: Red Giant PluralEyes 4
PluralEyes 4 automates audio/video synchronization in seconds instead of days, giving videographers and filmmakers edit-ready footage without clappers or timecode....
