Using ‘Synchronize’ in Premiere Pro
The Synchronize command in Adobe Premiere Pro won’t fix audio and video out-of-sync within a video file (retiming is...
Digital Sprockets transfers & restores classic Mexican films
Back in 2015, I published an article about why Digital Sprockets of México City prefers to edit video with...
First look: iRig Mic HD 2 digital microphone from IK Multimedia
Our friends from IK Multimedia in Italy have just announced the successor to the iRig Mic HD microphones, which...
Review + comparison: iRig Pro I/O cross platform audio interface
In this article, I’ll review the new <US$150 iRig Pro I/O cross platform audio interface, with preamp and A-to-D...
Review: MixPre-3 audio recorder/mixer from Sound Devices
As soon as Sound Devices announced the new MixPre-3 audio recorder/mixer, I requested it for review. Ahead I’ll tell...
Introducing Vegas Pro
Vegas Pro is a comprehensive, all in one post production “must have” NLE companion with everything you need to...
My multitrack crossgating audio workflow to eliminate crosstalk
Perhaps the most efficient way to resolve the problem of crosstalk in multiple microphone recordings is to use a...
Review: AT875R shotgun mic & AT8415 shockmount from Audio Technica
Most people think about using a shotgun mic for dialog, and mainly outdoors. However, the US$169 AT875R from Audio...
iRig Pro I/O: first look at IK’s latest cross platform audio interface
Today IK Multimedia launched its latest cross platform audio interface, the <US$150 iRig Pro I/O. An apparent successor to...
The MIT debate between 48 and 44.1 kHz audio sampling that hasn’t taken place (yet)
On May 30, I received an email invitation to debate the virtues of 48 vs 44.1 kHz audio sampling...
