Reviewing The New Sony FX3 Cine Line Camera
Yes, the Sony FX3 and the A7s III are nearly the same cameras. Yet, shallow are those who only...
Panasonic Announces GH5 Mark II and GH6 Development
Panasonic just updated the video-focused Micro Four Thirds GH5 with the Lumix DC-GH5 Mark II. This Mark II update...
Reviewing the New Blackmagic Pocket Cinema Camera 6K Pro
I can see the posts now “it’s the same camera.” “Oh, it’s the same sensor—nothing new here; best to...
Sony’s New 4K Live Production Switcher, XVS-G1, Combines Accessibility with Versatility
The newest addition to Sony’s switcher family, the XVS-G1, is an entry-level compact live production switcher developed as a next-generation...
The New Sony FX3, A First Look At The Cinema Camera
I need a battery—just a single battery in that camera’s battery compartment. Twenty-four hours before the official announcement of...
Reviewing the New Vazen 85mm T2.8 1.8x Full-Frame Anamorphic Lens
Who doesn’t love the look of an anamorphic lens? Anamorphic lenses offer interesting image characteristics and, traditionally, can be...
Canon Cameras and Lenses Dominate Sundance Non-Fiction Premieres
You can tell a lot by what cameras and lenses the DOP of a documentary chooses. You see, a...
Is The Sony Alpha 1 “The One” Hybrid Good At Both Stills and Video?
We all want “The One” camera. The one with excellent AF. The one with 15+ stops of dynamic range....
SoKrispyMedia Uses Blackmagic Design To Bring Stick Figure War To Life
Blackmagic Design announced today that production company SoKrispyMedia’s newest release, “Stick Figure War” was shot in Blackmagic RAW using...
Reviewing The DZOFilm 10-24mm T2.9 M4/3 Cinema Lens
I may be slightly late and slightly slow, massive understatement, with this review of the DZOFilm 10-24mm T2.9, but...
