In field production or in the studio, ideally, we record every audio source on its own track for absolute...

I have covered mounts and grips before (iOgrapher and The Padcaster). I have reviewed many audio preamps to connect...

You’re not George Lucas and you don’t have a virtual limitless budget. So you’ve probably been tempted by those...

An article at Adobe Spark says the film industry is spiraling into obscurity.  Do you agree? I encourage you to...

Richard Harrington has worked in just about every area and aspect of video production. His current focus is around...

Award-winning global sports media company, Whistle Sports, creates authentic social content for a new generation of sports fans.  The...

One of the worst mistakes you can make when recording location sound is to rely on a boom shotgun...

My invitation to a mysterious press event was nearly one of the biggest surprise announcements of the year. That morning...

Thanks to two colleagues, I have become aware of inexpensive wireless audio mixer offerings from Behringer/Midas & Mackie. Alex...

While for many cinematographers the ideal path goes through a colour correcting and colour grading process in post, something...

Cine Gear Expo 2016 fell on two of the hottest days in Los Angeles all year, but if you...

Back in the days of civil society the milkman would swing by and leave the milk at your doorstep. Years...

Production professionals at every level are used to dealing with gels and manually adjusting their setup to get the...

20 years ago this week I answered the phone – and this is what I learned. Recently, Richard Harrington...