Developed as the successor to the Pentax K-1 full-frame DSLR camera launched in April 2016, the new K-1 Mark...

The film look is an elusive thing. Everyone has their favorite flavor, but there are two basic, yet opposite,...

Mirrorless and HDSLR cameras get most of the press attention nowadays. However, there are still many content producers who...

Sony’s Venice full-frame CineAlta camera had its Portland debut at Koerner Camera today, courtesy of BandPro‘s Jeff Cree. At...

Announced last August, through an Indiegogo campaign, the Agua Stormproof Versa Backpack is an intelligent choice if you spend...

Good news everyone! To cap the month off in spectacular fashion, on Wednesday, February 28th Filmtools will be throwing...

I’m eight episodes in to Netflix’s Altered Carbon, and I’ve officially become a believer in large format TV cinematography....

At THU in Portugal, I got to interview a recruiter from ILION Animation Studios. Ahead I’ll share the interview...

My last article resulted in some new input on color gamuts. Here’s what I think I know now. Before...

With 4K, 120fps HD, a better Dual Pixel AF, DIGIC 8, a new CR3 14-bit RAW file format, touchscreen...

Yes, it’s true: your camera has no color gamut. Don’t believe me? Good, ’cause I’m going to try to...

“My assistant says it’s impossible,” said the Steadicam operator over coffee at Arri headquarters in Burbank. “The DIT wants...

Ahead I am sharing four videos that demonstrate how to do something that seems counterintuitive, in order to achieve...

One of the pleasures of mirrorless, short-flange-depth cameras is the freedom to use a wide variety of lenses via...