Janusz Kaminski, Phedon Papamichael, ASC and Wally Pfister, ASC are a group of cinematographers that need no introduction.  Their...

Earlier this week Brendan Bolles launched an Indiegogo campaign to support a six month development effort that would result...

Near the start of our reward-based crowdfunding campaign I wrote a piece for PVC outlining the ‘partnership approach’ we...

For the last two years the largest innovation in camera support and movement has to be the motorized gimbal....

Last year I published a short article when Átomos announced its Spyder monitor calibration system. Now I am privileged...

A few months ago, I put together the ultimate field monitor — for my purposes, anyway. I’m so happy with...

Canon expands its Cinema EOS System with the launch of the EOS C100 Mark II,  presented as the starting...

With BBC iPlayer announcing that viewers will be able to watch their favourite shows on-demand for 30 days, rather...

On October 16, colorist Robbie Carman presented LOG and RAW workflows on the Ask a Video Pro Adobe webinar...

How does Final Cut Pro X fit into the visual effects workflow of a feature film? Quite comfortably, as...

You can view Adobe’s panel discussion with the editorial and post-production team behind the movie Gone Girl from director David...

Leading creative software developer, The Foundry, today unveiled NUKE 9, the biggest ever shake up of its NUKE technology,...

You can view Adobe's panel discussion with the editorial and post-production team behind the movie Gone Girl from director David...

When fans turn their attention to the large screens at sports’ biggest events, there’s a good chance that they’re...