Yes, it’s true: your camera has no color gamut. Don’t believe me? Good, ’cause I’m going to try to...

Bring film to the digital age with the KODAK Scanza scanner, or take your home theater anywhere, with the...

If you’re an editor who has to send out your projects to a colorist (besides being one of the...

“My assistant says it’s impossible,” said the Steadicam operator over coffee at Arri headquarters in Burbank. “The DIT wants...

The six new Sigma ART lenses added to the long list of lenses compatible with the Panasonic AU-EVA1 5.7K ...

Ahead I am sharing four videos that demonstrate how to do something that seems counterintuitive, in order to achieve...

The Creative Pro User Group Network (CPUG Network) recently announced the 17th Annual Las Vegas SuperMeet to take place...

Available next June, the new lightweight cinema lenses for the X- series of mirrorless cameras cover the most frequent...

This is kind of two Avid Media Composer audio tips in one. When you raise the audio level on a...

Art of the Cut congratulates Paul Machliss and Jonathan Amos for winning the BAFTA for Best Film Editing for...

One of the pleasures of mirrorless, short-flange-depth cameras is the freedom to use a wide variety of lenses via...

A number of versions ago Avid added the very handy per track toggle option for audio waveforms where you...

Last week in Miami at Midtown Video’s expo, I got to see full presentations on three Panasonic cameras and...

Adobe Premiere Pro has a lot of panels and windows that provides a lot of flexibility. With all of...