New Sigma lenses for mirrorless cameras: the new world is the old world
SIGGRAPH 2019 concluded with the highest attendance since 2013
Four world-premiere immersive experiences and the first-ever 55-seat venue for virtual reality storytelling in the VR Theater were some...
Autodesk: new AI tools accelerate workflows in Flame Family 2020.1
The Flame Family 2020.1 update provides artists with more unique tools, with the use of AI for image segmentation,...
Apple Pro Display XDR 6K: the questions I asked Apple
I first covered the Apple Pro Display 6K back in June (link ahead). In addition to its amazing performance...
Cinema 4D R21: Maxon introduces a new version with affordable price
Maxon debuted Cinema 4D R21 at SIGGRAPH 2019, showing also a singular version of Cinema 4D that includes the...
CUBE 1200: a bebob multi-voltage battery for energy-hungry devices
Able to run a ARRI SkyPanel S60 at maximum power for 2.5 hours, the new bebob CUBE 1200 is...
After Effects selected as VFX category resource for Netflix Post Technology Program
Last October, the Netflix Post Technology Alliance was announced, bringing together some of the biggest technology names in film production...
2019: The year of affordable 3D
With the announcement of Maya Indie and the release of user-friendly Blender 2.8, the democratization of high-end 3D animation...
HitFilm 13 Pro: Foundry’s Camera Tracker integrated in timeline
FXhome is at SIGGRAPH to show its new version of HitFilm. Version 13 of the app adds access to...
Motion capture at SIGGRAPH 2019: go to the Moon with NVIDIA’s RTX demo
With NVIDIA’s demo of the Apollo 11 moon landing on display at SIGGRAPH 2019, everyone can walk on the...
Bifrost for Maya: creating VFX quickly
Showcased at SIGGRAPH 2019, Bifrost for Maya makes it possible for 3D artists and technical directors to create serious...
SIGGRAPH 2019: 10 new NVIDIA RTX Studio laptops for video editing
New laptops from Dell, HP, Lenovo and BOXX deliver NVIDIA’s real-time ray tracing, advanced AI and ultra-high-resolution video editing...
The Art of the Cut Podcast Eps. 6 (w/ “Once Upon A Time In… Hollywood” Editor Fred Raskin)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
ART OF THE CUT with the editors of “Spider-Man: Far from Home”
Spider-Man: Far From Home was edited by veteran MCU (Marvel Comics Universe) editor, Dan Lebental, ACE, and another experienced...
Westlife’s The Twenty Tour Uses Blackmagic Design Live Solutions
Blackmagic Design equipment ranging from the URSA Mini Pro 4.6K digital film cameras and ATEM 4 M/E Broadcast Studio...
