Editors on Editing w/ “No Time To Die” Editors Tom Cross, ACE & Elliot Graham, ACE
Review: DxO PhotoLab 5 supports X-Trans sensors and is faster now
Support for Fujifilm X-Trans is now included, as the latest version of DxO PhotoLab expands its photo library features,...
The Telly Awards returns with new categories and a podcast
The 43rd Telly Awards returns and it introduces a series of new categories, including Sustainability, Remote Production, Virtual Events,...
SIGMA Announces New 18-50mm F2.8 DC DN | Contemporary
Sigma announced the upcoming release of the SIGMA 18-50mm F2.8 DC DN | Contemporary lens. As of today, the Sigma 18-50mm...
Samyang AF 24-70mm F2.8 FE: optimized for video shooting
Samyang’s first auto focus standard zoom lens, the Samyang AF 24-70mm F2.8 FE, is not one more zoom: the...
SMPTE explores Lighting and Color Science for Virtual Production
SMPTE Hollywood will explore the intricacies of lighting and color science for On-Set Virtual Production at its next virtual...
New MacBook Pros, new M1 Pro and M1 Max chips and Final Cut Pro 10.6 in today’s Apple Event
It was a big Apple day for pro users after today’s Apple Event as the long rumored and redesigned...
Final Cut Pro 10.6 New Features
Full dot releases for both Final Cut Pro and Motion today with a few new and interesting features. First,...
Adobe Insights: Exploring 2021 Performance Improvements for Streamlined Workflows and with Adobe Sensei
We make it a point to cover all of the releases from Adobe to the main video apps in...
Adobe Insights: Exploring 2021 Performance Improvements with Hardware Optimization and Multi-frame Rendering for After Effects
This past year, Adobe rolled out a variety of feature and performance updates via their Public Beta program. Showcasing the...
World’s largest smartphone photography competition is back
Win one of 70 amazing prizes, including the new HUAWEI P50 and cash prizes up to $10,000 in the...
NIKKOR Z DX 18-140mm f/3.5-6.3 VR, a compact high-power zoom lens
Able to effectively reduced shifting of focus when zooming in/out and shifting of angle of view when adjusting focus,...
Sony FE 70-200mm F2.8 GM OSS II: a perfect choice for video
With dramatic educed focus breathing, focus shift, and axis shift, the new Sony FE 70-200mm F2.8 GM OSS II...
John Brawley, ACS of “Lakewood” // Frame & Reference
Frame & Reference is a conversation between Cinematographers hosted by DP and PVC Contributing writer Kenny McMillan. Each episode...
Taking The New Sigma 28-70mm F2.8 DG DN | C For A Spin
Sigma allowed me to take the new Sigma 28-70mm F2.8 DG DN | C for a bit of a...
