Behold the vectorscope in Final Cut Pro X, and glory in its limited options: You can set it up...

A while back Blackmagic contacted me asking if I’d be interested in checking out the Pocket 6K Pro they...

Here is my promised review of the US$99 RØDE VideoMic Go II compact hybrid shotgun microphone, including my own...

Ready to break the rules of light? Samsung suggests its Samsung Galaxy S22 can turn low light moments into...

From Iron Man’s futuristic HUD to holographic maps in a galaxy far, far away, Jayse Hansen is the designer...

*Cue Olympic Theme Song* Welcome to this special Friday episode of the Art of the Frame Podcast! On todays...

AJA introduces Desktop Software and SDK v16.2 with a wide range of workflow enhancements, including the latest macOS support,...

Intro This article about Spleeter is the first in a series here at PVC that’s going to focus on...

All attendees must provide proof of vaccination and boosters are strongly recommended, KN95 or N95 masks are mandatory at...

The American Society of Cinematographers (ASC) will recognize the work of four exceptional artists at the ASC’s 36th Annual...

Avid has announced new technology called NEXIS | EDGE that is being touted as an “innovative new software option...

In this week’s episode of Crossing the 180, Ron interviews documentary filmmaker Salima Karoma. From her success with her...

No more wait for resource-intensive rendering, says Spire Animation Studios, as it prepares to integrate Epic’s Unreal Engine into...

Welcome back to Frame & Reference. This week, Kenny talks with cinematographer Jordan T. Parrott about the Sundance short...