Do video hardware product drivers really have to live behind a registration wall?
Not to jump onto a soapbox here but I’ve had two instances in the last week or so of...
Don’t Copy Those Proxies!
Do you have to keep editing when you travel? This week on MacBreak Studio, I talk with Steve Martin...
Blackmagic Production Camera Noise Test
How much noise is too much noise? Or, is the better question: How much noise can DaVinci Resolve's noise...
After Effects for print + ETLAT (edit this, look at that)
Note advice on ETLAT updated for AE 2015 at bottom… PRINT A couple of years ago, Jesse Michael Newman released...
RØDE’s PinMic takes lavalier microphones to a new esthetic level
In addition to offering the wonderful RØDE REC application for iOS which I recently reviewed (link ahead), RØDE is...
Replacing Temp Music in Final Cut Pro X
How can you reconnect media in a managed library? This week on MacBreak Studio, I show Steve Martin from...
The Apertus Axiom Beta Camera
Do you want a chance to help build a better camera? Then read this: Apertus, an open source camera...
Have AJA/Blackmagic forgotten about ABC/Disney/ESPN/FOX?
Both AJA and Blackmagic showed cameras at NAB 2014, as I covered in other articles. All of these new...
Tracking in Final Cut Pro X with SliceX
How can you track an object in Final Cut Pro X – and why would you want to? In...
Blackmagic 4K Production Camera & IRND
That wide-open aperture… in full sun-light… I love it. F/2.8, and lower, gives us the feeling of intimacy and...
