AJA and Sound Devices embrace Sony NXCAM’s timecode-over-HDMI
Many ProVideo Coalition readers may recall my article called Untapped features in Sony NXCAM’s new HDMI output from June...
Simulated Rack Focus for Believable Composites
If you’re looking to give your green screen composites another step of realism or to simulate the look of...
The C300 short Hustle and some before and after images
Hustle from Daniel B©rub© on Vimeo. A number of filmmakers involved in the Boston Creative Pro User Group got...
Tip Tuesday: Disable a clip in the Avid Media Composer timeline
In honor of TipTuesday over on Twitter I thought I’d share this simple Avid Media Composer tip that I...
NewTek Ships LightWave™ 11 Software
NewTek is now shipping LightWave™ 11, the latest version of its Emmy® award-winning, professional 3D modeling, animation, and rendering...
Drobo B800i At The 11th Annual San Francisco SuperMeet
At the 11th Annual San Francisco SuperMeet, Justin Russo of Drobo, showed off the new Drobo B800i, 8 Bay,...
Dynamic Multipurpose Templates in New ready2go Collection 11
Digital Juice® announced today that it is releasing ready2go™ Projects & Templates for Adobe After Effects® Collection 11. ready2go...
2D Footage with a Stereo 3D Rig in After Effects CS5.5
Adobe included a 1-step option to create a 3D Stereo Camera Rig in After Effects CS5.5, to everyone’s enthusiasm...
How to get the “24p” look for your live-switched multicam shoot
Our friends at Datavideo recently asked me to write an article called How to get the “24p” look for...
Q and A with Bunim/Murray’s Mark Raudonis about their recent Avid switch
Back in January news broke that reality television producers Bunim/Murray were switching their post-production facilities from Final Cut Pro...
