Canon to show cinematic Virtual Reality game at CES 2023
Canon and M. Night Shyamalan will debut at CES 2023 a showstopping, interactive booth experience for the director’s upcoming...
Review: Monogram Creative Console
Introduction In a field of control surfaces to suit all kinds of different needs, the Monogram Creative Console stands...
Review: iodyne Pro Data – a next level SSD RAID
The iodyne Pro Data is quite a beast when it comes to fast data storage for editing and post-production....
Creating and Producing a Long-Form Hit! Part Two: Realizing the ‘Vision’
In part one of this trilogy, “Making the Deal,” I outlined the nuts and bolts of pitching, presenting, and...
Editors on Editing w/ “Empire of Light” Editor Lee Smith
On this weeks episode of Editors on Editing, Glenn is joined by Lee Smith. Lee has edited such films...
The Visual Effects of Black Panther: Wakanda Forever
In this episode of Art of the Frame we interview the VFX leads behind the new Marvel Blockbuster, Black...
Digital Domain and the final battle in Black Panther: Wakanda Forever
Digital Domain brings water, fire and new MCU characters to the climactic battle in ‘Black Panther: Wakanda Forever’, Here...
Nvidia RTX 4080 – An editor’s review
A few years back I set about building my own high end editing PC and wrote a complete build...
Color Management Part 14: Combining OCIO and After Effects
OpenColorIO is the industry standard color management tool for animation and visual FX. After Effects also has its own,...
After Effects Roundup of November 2022
Appearing this week, not November, were somewhat meager Adobe Video updates: 23.1 and Frame.io RED Camera to Cloud. [After Effects...
