Background on Warp Stabilizer
Earlier today Chris Meyer noted a Adobe Technology Sneak Preview: Warp Stabilizer. Other teases like “CS5 Evolves April 11th,...
PHYX Keyer 2.0 Raises the Bar on Keying
Noise Industries and PHYX Inc. amp up popular keying plug-in pack with three new keying plug-ins for increased keying...
Kicking the tires on Avid Media Composer 5.5
It was a few weeks ago that Avid shipped another update to Media Composer, this time moving 5.0 to...
Book Review: Alexis Van Hurkman’s Color Correction Handbook
If you’re wanting to learn more about post-production then you’ve got quite a few areas where you can target...
Adobe’s Creative Suite Production Premium Hits the Workflow Sweet Spot
Video and film producers are migrating to tapeless HD workflows using powerful mobile and fixed workstations. Adobe’s Creative Suite...
Time lapse of a Television Editor
Are you curious about what a television editor does? Are you a fan of Chuck? Then this video is...
Tribute to Michael Kahn, A.C.E.
Tribute to Michael Kahn, A.C.E. from Carsten Kurpanek on Vimeo. If you haven’t heard, the American Cinema Editors held...
Free Plug-ins for After Effects, FCE, FCP, and FCS (including Motion)
Facebook in the new grapevine: I learned earlier this week courtesy of CoreMelt’s Facebook news feed that CoreMelt (creators...
Christmas gift ideas for the editor
It’s very close to the Christmas holiday but my guess is there’s still a lot of shopping to be...
Mishandling Pulldown
An example of what can happen when you incorrectly reconstruct the original source from interlaced video. Video, as idiosyncratic...
