Exclusive details around the newly released style effects libraries and textured overlays from Rampant Design
Some pretty cool news went out today as Rampant Design announced they were releasing Rampant Motion Graphics for Editors...
Fast Grade Versioning in DaVinci Resolve
In this episode of DaVinci Resolve in Under 5 Minutes, Alexis Van Hurkman will show you how to quickly...
From iMovie iOS to Final Cut Pro X
This week on MacBreak Studio, Steve Martin from Ripple Training shows us how we can use iMovie for iOS...
Filmmaking first loves and first times
On episode #4 of Radio Film School, host Ron Dawson takes his audience down memory lane to recount some...
After Effects Hidden Gems Weekly: the Transform effect
One of the secrets to truly learning After Effects is understanding its internal render order (sometimes called the “order...
Ghosts, holograms, and the quest for immersion
Not all videos are destined to be broadcast on TV, or even viewed on a computer screen. While building...
Long Term Test: Dell Precision M3800 laptop
If you maintain a well trafficked blog for any period of time (it’s hard to believe The Editblog will...
MAXON and Cinema 4D are coming to a town near you
We’ve detailed how well Cinema 4D (C4D) and After Effects work together, but at events like NAB and SIGGRAPH...
iMovie adds 4K UHD & the often hazardous ±60 fps distribution
A few weeks after adding 4K UHD to iMovie for iOS 9 (and Adobe’s adding it to its Premiere...
Media Composer 101 – Advanced – Multi-Channel Audio Exports
In this lesson, Kevin P McAuliffe talks about Multi-channel audio exports from Media Composer, and how DNxHD doesn’t always...
