Bringing the wild west to life with Adobe Premiere Pro
Michael Buday has worked in the film industry for more than 30 years, editing everything from BBC documentaries to...
Grave Robber will un-nest your nested Adobe Premiere Pro sequences
One incredibly useful thing most non-linear editing applications can do is nest multiple clips within the timeline into one single clip. Some...
After Effects Roundup October 2021
Adobe MAX 2021 ran online this last week on October 26-28. Formal releases of Creative Cloud 2022 were announced,...
Adobe MAX 2021 means an updated Adobe Premiere Pro
It’s time for another Adobe MAX which must mean yet another update to Adobe Premiere Pro! Adobe MAX is once again...
Review: 16-inch Apple MacBook Pro M1 Max for video editors – Part 1
I was excited to take delivery of the newly announced MacBook Pro M1 Max last week for some post-production-related...
Review: DxO FilmPack 6, an interactive Time Machine
Support for X-Trans RAW files, in Beta, is a key feature of the new DxO FilmPack 6, which brings...
Road testing the //ROGUE PRO by DigitalGlue
Earlier this year we covered the announcement of the //ROGUE PRO. Recently we had a chance to test drive...
Editors on Editing w/ “No Time To Die” Editors Tom Cross, ACE & Elliot Graham, ACE
The Editors on Editing Podcasts brings the fantastic conversations that Glenn Garland has with world renowned editors into your...
Review: DxO PhotoLab 5 supports X-Trans sensors and is faster now
Support for Fujifilm X-Trans is now included, as the latest version of DxO PhotoLab expands its photo library features,...
New MacBook Pros, new M1 Pro and M1 Max chips and Final Cut Pro 10.6 in today’s Apple Event
It was a big Apple day for pro users after today’s Apple Event as the long rumored and redesigned...
