My First DSLR’s Legacy In Ink
I recently decided to part ways with my first DSLR, a Nikon D1x. I hadn’t used her in a...
RevUp Render Introduces V-Ray 2.0 Cloud Rendering for 3D Artists and Architects
Delivering innovation in cloud computing technology for the design and entertainment industries, RevUp Render today announced a new cloud...
Hypersync with the Nikon D800
If you’ve been reading my blog for a while, you’ll know I love doing unusual things with my cameras...
Nikon AF-S NIKKOR 85mm f/1.8G Lens
Years ago, I shot Canon. Seems like everyone did, actually, even though there were plenty of Nikon shooters. My...
Fire in After Effects
Attempts at creating fire in After Effects have resulted in outputs of various styles and quality. Projects have used...
Cinegear 2012 – SmallHD DP7
At Cinegear 2012, we had an opportunity to visit with Wes Philips of SmallHD. Beyond their very popular, DP4,...
Review: Sony NEX-FS700 “Super35” LSS AVCHD Camcorder
The NEX-FS700 (US$8000; $8600 with 18-200mm zoom lens) is an E-mount Large-Single-Sensor camcorder with the back end, user interface,...
CineGear 2012 Lensbaby
New MovieMaker Kit is a Suitcase Full of Magic! At Cinegear 2012, we stopped to talk to the good...
Playing not-nice with Copyright
… to try to swindle a well-meaning photographer out of reasonable remuneration. Think you won’t be sued for donating...
Cinegear 2012 – Rotolight Anova
At Cinegear 2012, I had the privalige of visiting with Rod Gammons, owner and CEO of Rotolight at Cinegear...
