Art of the Frame Podcast: The Alan Smithee Round Table – Tech vs Art: The Debate Continues
In the latest episode of the Alan Smithee podcast, hosts Scott Simmons, Michael Kammes and Katie Hinsen reconvene after...
Immersive Company launches a new 180° 16K 3D camera, platform and app
Though the Blackmagic URSA Cine Immersive is expected soon, this week saw the surprise announcement of a second top-tier...
NVIDIA RTX 5080: best bang for the buck for DaVinci Resolve
The RTX 5080 may not be the dream card for gamers, but content creators may want a card that...
September 5 film uses Astera tubes to recreate ’70s lighting
Diligent creativity and Astera lights in nearly every scene helped recreate the chaos of the 1972 terrorist attack, helping to reproduce...
New in Adobe Firefly Video
Preparing for NAB 2025 and on the heels of announcement of new video features at the Sundance Film Festival,...
Adobe’s new Firefly Generative AI Video Model is live
Generative video is seemingly everywhere these days. Adobe has been a bit slow in the text-to-video rollout, but today...
Testing 1, 2, 3: Adobe’s Firefly Video Model now available in public beta
The word “commercial” may be on everyone’s mind after the Super Bowl. From favorites to flops, this year’s crop...
RED V-RAPTOR: is the Nikon Z-Mount version coming soon?
The image published on Instagram by Director/Cinematographer Phill Holland showing a Z-mount got the ball rolling: is a RED...
Tool Tip Tuesday for Adobe Premiere Pro: Saving Transition Presets.
Welcome to Tool Tip Tuesday for Adobe Premiere Pro on ProVideo Coalition. Every week, we will share a new...
Review: Lumix GH7
A filmmaker, videographer or content creator starting out today will not only have a tricky time picking what to...
