Light Iron Taps Executive Producer to Oversee NY Operations
Light Iron – a post production leader specializing in content originated on file-based motion cameras – has hired Executive...
ProAm USA Releases New Autopilot and Autopilot Lite Camera Stabilizers
ProAm USA, a manufacturer of production equipment for film and video enthusiasts and professionals, announced the availability of its...
The New Face and Mobile Capabilities of globaledit
This week Industrial Color Brands rolled out the release of its software division’s new website and branding, along with...
Picturepark 8.6 Hybrid Search for Digital Asset Management
A new “NoSQL” search and indexing layer has been added to SQL-based Picturepark® digital asset management software, enabling Picturepark...
Using Reversible Stabilization in Warp Stabilizer VFX for Screen Replacement
Short version: Below is a video that shows how to use the Reversible Stabilization feature of Warp Stabilizer VFX...
Canon PowerShot G1 X Mark II: the DSLR Companion
It is doubtful that the new PowerShot G1 X Mark II makes anyone jump ship, but it surely will...
Product Review: Fiilex P360 and P180E Full-Spectrum Color LED Studio Lights
Designed for portability for the independent videographer shooting interviews, quick setup talking head studio shots or even portable green...
Scripps Networks Expands Use of Sony XDCAM Technology
Scripps Networks Interactive (SNI) is expanding its use of Sony XDCAM® HD422 technology for its “mezzanine” format—the work copy...
Continuous Three Light Setup with Special Effects Lighting
Today on The Slanted Lens we will create lighting for a superhero shot using a simple set, smoke and...
Seven-step Digital Asset Management Implementation Guide
When implementing a new digital asset management system, it’s important to first have a firm plan in place. That...
